- What does it mean to “bear witness” to war?
- When is military action justified?
- How are communities and cultures changed by war?
- What can citizens do to oppose wars or prevent future conflicts?
- How have writers and artists responded to war?
- How have students and their communities been personally affected by war?
- How can students use writing and art to raise awareness of current conflicts?
- Reflect on Sontag’s role as a witness to war
- Consider the impact of modern war on communities and cultures
- Analyze the use of military force in modern wars
- Explore the work of historical writers and artists affected by war, political violence, and exile
- Deepen understanding of current conflict zones through contemporary art
- Reflect on the impact and risks of political art and activism
- Use writing, art, and activism to respond to current conflicts
1-10 Class Periods
VIDEOS:
A Culture of War Video and Transcript
HANDOUTS:
Unit Background
Unit Research
Handout 1
Handout 2
Handout 3
Handout 4
WORKSHEETS:
Panel Discussion Worksheet
Essay/Speech Worksheet
Presentation Worksheet
Fine Arts/Creative Writing Worksheet
TEACHING PLANS:
Teach Handout 1
Teach Handout 2
Teach Handout 3
Teach Handout 4
Panel Discussion Activity
Essay/Speech Activity
Presentation Activity
Fine Arts/Creative Writing Activity
Class Action Activity
- Art and Culture
Medium > Visual Arts
Subject Matter > Art History
Subject Matter > Music
Subject Matter> Philosophy
- History and Social Studies
Place > Africa
Place > The Americas
Place > Asia
Place > Europe
Place > The Middle East
Themes > Civil Rights
Themes > Culture
Themes > Immigration/Migration
Themes > Politics and Citizenship
Themes > Religion
Themes > War and Foreign Policy
U.S. History
U.S. > World War II
World > The Modern World
- Literature and Language Arts
Genre > Biography
Genre > Drama
Genre > Essay
Genre > Fables, Fairy tales and Folklore
Genre > Novels
Genre > Poetry
Genre > Short Stories
Place > American
Place > British
Place > Europe
Place > Modern World
- Analysis
- Compare and contrast
- Creative writing
- Critical analysis
- Critical thinking
- Cultural analysis
- Data analysis
- Debate skills
- Discussion
- Evaluating arguments
- Expository writing
- Gathering, classifying and interpreting written, oral and visual information
- Historical analysis
- Internet skills
- Interpretation
- Investigating/journalistic writing
- Journal writing
- Letter writing
- Literary analysis
- Logical reasoning
- Making inferences and drawing conclusions
- Map skills
- Media analysis
- Musical analysis
- Musical skills
- Online research
- Oral communication
- Oral presentation skills
- Painting
- Persuasive writing and speaking
- Photography
- Poetry analysis
- Poetry writing
- Report writing
- Representing ideas and information orally, graphically and in writing
- Research
- Role-playing/Performance
- Summarizing
- Synthesis
- Technology
- Textual analysis
- Using primary sources
- Using secondary sources
- Visual art analysis
- Visual art skills
- Visual presentation skills
- Writing skills
- ELA Reading: 1-3, 5-7, 10
- ELA Writing: 1-10
- ELA Speaking & Listening: 1-6
- HSS Reading: 1-3, 5-10
- HSS Writing: 1-2, 4-10
Susan Sontag believed in bearing moral witness to war and standing up to torture and other forms of human rights abuse. She visited a number of war zones during her lifetime, going to Hanoi, the capital of North Vietnam, at the height of the Vietnam War (which was illegal for a U.S. citizen); making a film in Israel and Palestine in the immediate aftermath of the 1974 “Yom Kippur” War; and making numerous trips to the besieged city of Sarajevo during the Balkan wars of the early 1990s. She wrote about Vietnam in her long essay “Trip to Hanoi,” and addressed war and violence in a number of important works, starting with essays written for her high school newspaper immediately after World War II. Her final book, Regarding the Pain of Others, examines photographs of war and torture (see Photography Unit: Lesson 5). This lesson investigates Sontag’s writings on 20th-century conflicts and introduces work by the many writers and artists of war and exile that she featured. It asks students to deepen their understanding of contemporary wars through art, encouraging them to reflect on the ways war affects cultures and communities and raises awareness of current conflicts through writing, art, and activism.
LESSON 2 HANDOUTS
LESSON 2 STUDENT ACTIVITY OPTIONS
- Watch Regarding Susan Sontag and reflect on its relevance to your students and subject area. For extracurricular organizations, community groups, and book clubs, consult our guide on adapting the curriculum.
- Review our curriculum units and lessons below, then choose the individual lesson(s) most aligned to your needs. See our interdisciplinary diagram for more help choosing an appropriate lesson and unit.
- Select the handout(s) and student activity you will use with each lesson.
- Begin the lesson by watching and discussing the lesson video module with Handout 1
- Continue the lesson with Handouts 2-4 to deepen learning (optional)
- Complete the lesson with a student activity: options include writing, presentation, and creative assignments as well as class projects or debates
- Download or print all related resources for your lesson at our resource center (video module, handouts, worksheets, teaching plans), and prepare for classroom use. Preview the lesson video module, familiarizing yourself with the content and any potential areas of sensitivity for your students (see viewing and discussing sensitive materials).
- Screen Regarding Susan Sontag and discuss with our Educational Screening Guide before beginning this lesson.
- Assign full texts or articles in place of handout excerpts.
- Assign supplementary texts or facilitate independent research with our War & Activism Unit Research handout, which includes:
- Online resources related to war and activism
- Reference texts on war and activism (unit citations and recommendations)
- Works of art included in the unit
- Allow additional time for discussion, group work, peer-review, editing, revision, or student evaluations and critiques of finished work.
- Coordinate presentations of student activities outside the classroom, such as a class blog, podcast or online gallery posts, school newspaper or literary/art journal publications, student radio or video broadcasts, or all-school exhibits, panel discussions, and screenings.
Teach this lesson with additional content from the curriculum guide. See our Interdisciplinary Diagram for help choosing related units and lessons.